A selection by michael obst

pUBLICATIONS

Contrary to some assessments, music does not exist on paper. It also does not exist on tape or CD. It is exclusively a physical process, whose basis is the connection with the phenomenon of time. Therefore, music is a unique event, because every performance will bring forward a new result. Strictly speaking, the same applies to recording media, although - apart from music composed explicitly for this medium - music captured on a recording is merely like a photograph of the real world.

MIchael Obst

TEXT

Under the Glacier​
Music theater based on the Novel Kristnihald undir jökli
by halldór Laxness

German version in: Courage & Empathie

Festschrift für Wolfgang Holler
– München 2022​

©Michael Obst, Weimar

TEXT

Under the Glacier​
Music theater based on the Novel Kristnihald undir jökli
by halldór Laxness

German version in: Courage & Empathie

Festschrift für Wolfgang Holler
– München 2022​

©Michael Obst, Weimar

TEXT

Under the Glacier​
Music theater based on the Novel Kristnihald undir jökli
by halldór Laxness

German version in: Courage & Empathie

Festschrift für Wolfgang Holler
– München 2022​

©Michael Obst, Weimar

TEXT

Electroacoustic Music: reflections and prospects:
Music – For the Head or the Heart?

in: Academie Bourges, Actes IV:

Musique Electroacoustique: expérience et prospective, Mnémosyne –
Bourges 1998​

©Michael Obst, Weimar

TEXT

Sound projection as a compositional element:
The function of the live electronics in the chamber opera Solaris​

in: Academie Bourges, Actes III:

Composition/Diffusion en Musique Electroacoustique, Mnémosyne –
Bourges 1997​

©Michael Obst, Weimar

TEXT

Analysis in Electroacoustic Music:
Fábrica – a Structural Analysis

in: Academie Bourges, Actes II:

Analyse es Musique Electroacoustique, Mnémosyne –
Bourges 1996​

©Michael Obst, Weimar

TEXT

Aesthetics and Electroacoustic Music:
We need new Criteria for the Evaluation of Electroacoustic Music

in: Academie Bourges, Actes I:

Esthétique et Musique Electroacoustique, Mnémosyne –
Bourges 1995​

©Michael Obst, Weimar

TEXT

…keine Zeit für Menschlichkeit…
Miroirs – für sechs Vokalisten

nach mittel- und spätmittelalterlicher Lyrik Nordfrankreichs

in: Donaueschinger Musiktage, Programmheft 1990

©Michael Obst, Weimar

When people say they have understood a piece of music, they are confusing "understanding" with "experiencing". We are not able to understand why a piece of music at a certain place in a certain environment at a certain time affects us in one way or another, because this experience cannot be repeated, and with its complexity and uniqueness it eludes our rational thinking in real time and in retrospect. We can therefore only call it an "experience", but not an "understanding".

MIchael Obst

CD publications

Michael Obst – Metal Drops

Inside – Metal drop music – Ye-Na-Je
1984

Composed by – Michael Obst
Recording Supervisor – Michael Obst
Recording Supervisor – Marcel Schmidt

Wergo SM1043-2

Michael Obst – Crystal World

Crystal World Part I – Crystal World-Chorale
Part II – Intermède – Crystal World Part III

1987

Composed by – Michael Obst
Engineer – Stephan Behrens

Wergo WER 2011-50

Michael Obst –
Compositeurs d’aujourd’hui

Kristallwelt III – Fresko – Nachtstücke
1996

Ensemble Intercontemporain
Directed by – David Robertson

Adès 205 832

AUDIO APPEARANCES

Donaueschingen 1995

Donaueschinger Musiktage 1995

Diaphonia
für Solisten, großes Orchester
und Live-Elektronik (1993/94)

SWF – Sinfonieorchester Baden-Baden
Directed by – Michael Gielen

col legno WWE 31898

Modern Works for Wind Ensemble

Oktett für Bläserensemble (1998/99) Bläserensemble Sabine Meyer

EMI CLASSICS 7243 5 57084 2 7

Hommage á Schostakowitsch

Trio No. 2
für Violine, Violoncello und Klavier (2006)

ABEGG – Trio
Ulrich Beetz, Violine; Birgit Erichson, Violoncello; Gerrit Zitterbart, Klavier

TACET LC 07033

Klangvisionen

Andere Welten – 50 Jahre Neue Musik
in Nordrhein-Westfalen – 6

Fábrica für elektronische Klänge (1996)

Koch Schwann – 3-5037-3

Musik Für Tonband 1950-2000

Musik in Deutschland 1950 – 2000

Metal Drop Music
(1980/81)

RCA Red Seal 74321 73503 2

IRCAM: Les Années 90

Dr. Mabuse, der Spieler II: Inferno
(1991/92, excerpt)

IRCAM – ircam 008

Cultures Électroniques 14

Série IMEB-UNESCO-CIME,  27th Competition
of Electroacoustic Music, Bourges, 2000.

Metal Drop Music
(1980/81)

Le Chant Du Monde – LDC 278072-73

Cultures Électroniques 18

Série IMEB-UNESCO-CIME, 32th Competition of Electroacoustic Music, Bourges, 2005.

Inside
(1981/82)

Le Chant Du Monde – LDC 278072-7
Photo © Guido Werner

About Michael obst

Michael Obst is a composer, pianist, and teacher. He began his successful composing career with electronic music and subsequently composed works for music theater, film and concert halls. His experience as a pianist with the Ensemble Modern, enriched his understanding of contemporary music. After 25 fulfilling years of teaching, he is now excited to once again concentrate on his own composition projects.

Useful links

All works © Michael Obst.
Unauthorised reproduction is prohibited.